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Posts Tagged ‘inland sea’

Acts Seen:

Imaginary Cities, Boy in a Box, Emma Louise, World’s End Press, Evil Eddie, The Jungle Giants, Little Scout, DZ Deathrays, Jonathan Boulet, San Cisco, Oscar and Martin, The Adults, Eagle and the Worm, Seals

I went into Big Sound Live with one goal – to only see bands I had never seen live before. The thing with this showcase is that it can be so easy to go see the acts you know will be good (Ball Park Music, Velociraptor, The Cairos, The Paper Scissors, Inland Sea etc etc) but for me that seems to kind of defeat the whole purpose. Isn’t the whole idea to help punters discover new local bands and showcase local emerging artists? I mostly succeeded, I had seen a bit of Little Scout earlier this year at Belle and Sebastian and I heard a bit of World’s End Press at Splendour in the Grass but for the most part I saw a lot of acts I had never seen before, or even heard of before.

Highlights:

World’s End Press – I stayed around to catch their whole set and it was well worth it. A genre I can only describe as retro electro, they’re very 80s complete with the loud shirts and bad awesome dancing. Lots of synths and grooving basslines. I compared them to a more subdued !!! (Chk Chk Chk) – well worth seeing again.

Oscar and Martin – I’m still trying to work out how I would describe these guys, because pop or RnB simply don’t cover it. They had two of the most amazing voices I’ve heard in a while and a really unique approach to their music.

Lowlights:

While there weren’t exactly any acts that I would say that I would never see ago, I felt a little let down by Emma Louise. With the amount of hype she’s had over the last couple of months, perhaps I had just set my standards too high. Or maybe it was an off night or a bad venue to see her in or the crowd was just too loud. It could have been anything, but I wasn’t blown away and I’m struggling to even remember anything about her set.

The Venues:

I managed to make it to every venue available for the event – Electric Playground, Bakery Lane, Black Bear Lodge, Ric’s, Tempo Hotel, Woodland, The Aviary and the Zoo.

It was actually my first time to Black Bear Lodge and I was quite impressed! I never thought the atmosphere of the Troubadour (RIP) could be matched, but Black Bear Lodge could even be an improvement. Lots of seating at the back and just generally a more open feel, I’m excited to return to this venue at some point.

Electric Playground was certainly an interesting choice of venue, but it seemed to work out okay. The sound was okay, the stage set up was okay, the scantily clad girls taking drink orders on the floor was a bit out of place but overall it’s an okay small venue. I don’t see it turning into a live music venue full time but it would be interesting to have the odd show here and there.

The only venue I was disappointed in was The Aviary. Absolutely no airflow, and beyond packed both times I went. I swear it was over capacity for Jonathan Boulet judging by the amount of people crammed into the stairwell between The Aviary and Birdees.

The Verdict:

It’s one of those ‘the more acts you see, the more you’ll enjoy it’ kind of events. It’s nice to be able to move around between different venues, and it’s nice to see members of local bands wandering around seeing other acts as well. I felt like I probably enjoyed last year a little bit more, but for the most part this year was very enjoyable and it was great to be able to see some bands I probably wouldn’t have seen otherwise.

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To celebrate a thousand issues and 20 years since its inception, local street press Rave Magazine put together a bit of a Brisbane all-star gig at the Zoo last night. Indie rockers Velociraptor opened the night to a fairly sparse crowd, sporting 11 of their 12 members tonight (well, 10 members for the first couple of songs as main frontman Jeremy Neale explained, “Lauren’s parking her car but we’ll have a keyboard player at any moment.”). There were a few moments where you had to wonder maybe six guitars in are too many guitars in one band, with some of the heavier moments sounding a little messy. Despite this, the group put on an exciting show, high in energy and enthusiasm.

Keeping in theme of bands with a ridiculous amount of members, folk-pop group Inland Sea were up next, opening their set with ‘Traitor’. Tonight they were down a few members, namely their string section which unfortunately impacted on their overall sound quite a bit. The strings add a much needed middle ground between ‘soft’ and ‘soaring’. It seemed like the group tried to make up for the lack of strings by simply being louder, instead coming across as overdone rather than enthusiastic. ‘All Fall Down’ was enjoyable, as it is simply a beautiful song (as is that whole EP actually), but for the most part the set failed to impress.

Highly anticipated, Dave McCormack of Custard fame took to the stage next. Custard, or any of McCormack’s other projects, have never really featured too heavily in any of my music adventures so I didn’t really know what to expect from the set. A few glitches with the synth/keyboard (which Seja Vogel from Sekiden/Regurgitator was helping out on) early in the set stalled things a little bit, but was a fairly seamless performance overall. McCormack proved that he’s still a mighty fine performer and enigmatic frontman.

Easily the most highly anticipated act of the night (apart from the ‘mystery’ headline act) was the Brisband Experience. Consisting of members from Hungary Kids of Hungary, Drawn from Bees, The Boat People, Rhubarb, the Blood Poets, Transport and as also Katie Noonan, the group performed some classic songs fromBrisbanebands. ‘Breath in Now’ by george was as beautiful as ever, with Katie Noonan showing that she still has an amazing voice. Rhubarb’s ‘Exerciser’ and the Go-Betweens ‘Streets of Your Town’ were both highlights that prompted some nice sing-a-longs. However the best moment of the set was easily the cover of Savage Garden’s ‘To the Moon and Back’, where Dan James of Drawn from Bees helped to turn a fairly corny song into something pretty awesome.

There were a lot of names thrown around as to who the mystery headline act could have been. Powderfinger, Robert Forster, Butterfingers, sixfthick and the Grates were a few rumours floating around. Most punters consistently guessed the act to be Regurgitator though, and there was a roar of applause as the trio walked onto the stage. Performing a classic hits style set, the ‘Gurge certainly made a spectacular comeback toBrisbane’s live music scene. Opening with ‘I Sucked a Lot of Cock to Get Where I am’ and then continuing on through favourites like ‘My Friend Robot’, ‘I Wanna be a Nudist’ and ‘The Drop’ there wasn’t a dull moment to the set. ‘Black Bugs’ transformed into a brief rendition of ‘Sweet Child O Mine’ and Seja Vogel came back to help out on synths for a few tracks, making ‘Polyester Girl’ a particular highlight. They closed their far too short set with ‘! (The Song Formerly Known As)’ and ‘Kung Foo Sing’, leaving most patrons on a trip down memory lane.

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Brisbane locals Inland Sea opened the night’s proceedings with their acappella ‘Lord I’m Waiting’. Barely fitting onstage, the group squeezed in front of the microphones -harmonies, tonality and rhythm all spot on. They launched straight into ‘Traitor’ from the debut EP, receiving a generous applause from the unfortunately small crowd. The combination of cello, violin, ukulele, guitar and bass make for a gorgeous texture, and solid drumming helped the group gain an energy almost comparable to Arcade Fire during ‘Burning Lifeboats’. ‘All Fall Down’ proved to be a crowd favourite and one of the most memorable songs from the set.

Headliners The Honey Month opened timidly, with ‘Cold Light’. Not having a strong opening meant that it took a little while for the crowd to warm into the set, but breakthrough single ‘Foliage’ managed to help the mood along nicely. The track is obviously well rehearsed – hypnotic and attention grabbing with lead singer Thomas Kulich pounding away at a floor tom. The group continued to prove themselves to be decent multi-instrumentalists, swapping between piano accordion, guitar, double bass, organ, glockenspiel and any other percussion that they could get their hands on.

One would think that for a single launch, the single in question would get a fairly decent introduction. I’m sure there was something murmured about ‘The Owl’, but it certainly wasn’t fussed over, which put a damper on the night. Along with ‘Foliage’ though, it was one of the best performed tracks of the night with a high energy coming from the vocals, and especially from the bass player, who completely rocked the fuck out though most of the set. The harmonies and tone of ‘Mother Mercy’ were quite nice, but failed to perform as well as the recording. The Honey Month’s songs are short – they never overindulge in musical journeys or expand too far on ideas. This works for them most of the time but coupled with the fact that the music coming from the surrounding venues could be heard over the quieter moments (obviously not the band’s fault), it was pretty hard to really get into the set at times. There were some nice moments, especially the added trumpet of ‘Home’, but for the most part I left the night feeling a little unfulfilled, like I could have witnessed a much better show, because they certainly have the potential for it.

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‘The Owl’ is the latest single from Brisbane indie-folk band The Honey Month. They’ll be officially launching it this Friday at Woodland, supported by Inland Sea. Hope to see you all there!

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Well, it’s January. And that means that voting is well and truly underway in Triple J’s Hottest 100. In fact, there’s only one more week left to vote so if you plan on doing so, you better start thinking about which songs you’re going to vote for! Some years the voting process is really easy for me, other years it is pretty tough. I’m always torn between voting for the songs that I love, and voting for the songs that I think will do well (in order to keep the songs I don’t like from getting in the top ten!). Basically I put too much thought into something that ultimately doesn’t really matter. To me the Hottest 100 is kind of like an awards show – I know I’ll be disappointed with the results, but I still tune in because I enjoy the suspense.

Alright, so my ten picks for the ‘hottest 100’ of 2010, in no particular order (well, actually, alphabetical)…

1. Ball Park Music – iFly

2. Best Coast – Boyfriend

3. The Boat People – Damn Defensive

4. Cloud Control – There’s Nothing In The Water We Can’t Fight

5. Hungry Kids Of Hungary – Wristwatch

6. Inland Sea – All Fall Down

No video!!!! Check out their Myspace to hear the track.

7. Jonsi – Go Do

8. Kimbra – Settle Down

9. The National – Bloodbuzz Ohio

(it was hard to pick just one song from these guys…)

10. Yeasayer – Ambling Alp

 

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