Posts Tagged ‘velociraptor’

Acts Seen:

Imaginary Cities, Boy in a Box, Emma Louise, World’s End Press, Evil Eddie, The Jungle Giants, Little Scout, DZ Deathrays, Jonathan Boulet, San Cisco, Oscar and Martin, The Adults, Eagle and the Worm, Seals

I went into Big Sound Live with one goal – to only see bands I had never seen live before. The thing with this showcase is that it can be so easy to go see the acts you know will be good (Ball Park Music, Velociraptor, The Cairos, The Paper Scissors, Inland Sea etc etc) but for me that seems to kind of defeat the whole purpose. Isn’t the whole idea to help punters discover new local bands and showcase local emerging artists? I mostly succeeded, I had seen a bit of Little Scout earlier this year at Belle and Sebastian and I heard a bit of World’s End Press at Splendour in the Grass but for the most part I saw a lot of acts I had never seen before, or even heard of before.


World’s End Press – I stayed around to catch their whole set and it was well worth it. A genre I can only describe as retro electro, they’re very 80s complete with the loud shirts and bad awesome dancing. Lots of synths and grooving basslines. I compared them to a more subdued !!! (Chk Chk Chk) – well worth seeing again.

Oscar and Martin – I’m still trying to work out how I would describe these guys, because pop or RnB simply don’t cover it. They had two of the most amazing voices I’ve heard in a while and a really unique approach to their music.


While there weren’t exactly any acts that I would say that I would never see ago, I felt a little let down by Emma Louise. With the amount of hype she’s had over the last couple of months, perhaps I had just set my standards too high. Or maybe it was an off night or a bad venue to see her in or the crowd was just too loud. It could have been anything, but I wasn’t blown away and I’m struggling to even remember anything about her set.

The Venues:

I managed to make it to every venue available for the event – Electric Playground, Bakery Lane, Black Bear Lodge, Ric’s, Tempo Hotel, Woodland, The Aviary and the Zoo.

It was actually my first time to Black Bear Lodge and I was quite impressed! I never thought the atmosphere of the Troubadour (RIP) could be matched, but Black Bear Lodge could even be an improvement. Lots of seating at the back and just generally a more open feel, I’m excited to return to this venue at some point.

Electric Playground was certainly an interesting choice of venue, but it seemed to work out okay. The sound was okay, the stage set up was okay, the scantily clad girls taking drink orders on the floor was a bit out of place but overall it’s an okay small venue. I don’t see it turning into a live music venue full time but it would be interesting to have the odd show here and there.

The only venue I was disappointed in was The Aviary. Absolutely no airflow, and beyond packed both times I went. I swear it was over capacity for Jonathan Boulet judging by the amount of people crammed into the stairwell between The Aviary and Birdees.

The Verdict:

It’s one of those ‘the more acts you see, the more you’ll enjoy it’ kind of events. It’s nice to be able to move around between different venues, and it’s nice to see members of local bands wandering around seeing other acts as well. I felt like I probably enjoyed last year a little bit more, but for the most part this year was very enjoyable and it was great to be able to see some bands I probably wouldn’t have seen otherwise.


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Well, the song isn’t all that new but if I’m not mistaken this is the band’s first video! If you’re still yet to hear Brisbane’s 12-piece retro sounding garage rock band Velociraptor, familiarise yourself now – they’re only going to get bigger.

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Locals lads (and lady) Velociraptor have been attracting a lot of attention of late. With their energetic live shows, and notoriety for barely being able to fit everyone onstage, coupled with recent Triple J attention things are certainly looking bright for the band. I spoke to frontman Jeremy Neale about an upcoming tour, a new EP and getting all of the ‘raptors’ organised.

First and foremost, what is your stance on velociraptors?

They are they only breed of dinosaurs that can open doors. This makes them the most threatening species of Dinosaur present in today’s door obsessed society.

You’re about to embark on an east coast tour. How does such a large band go about organising themselves?

Well, fortunately this time around we have a top-notch management team. Other than that, everybody will have a piece of paper with the venue and time we’ll be playing and with any luck at least 7 of us will show up.

Velociraptor are listed officially as a 12 piece but you rarely seem to play as such – what determines the size of the band on any given night?

The rider. If we get word that there’s not enough to go around we draw straws to see who has to stay home and drink home beers. Also a few raptors play in other touring bands and live/ work outside of Brisbane.

I hear there will be a new EP coming out soon; can you tell us a little about it?

A small collection of upbeat pop gems that are suitable for singing and dancing along to. It’s been a good chance for us to get some of our/ audiences’ live favourites recorded.

What is the song writing process like a band with so many members?

A lot of the time I’ll just write something at home or in the car and then bring it to practice and the raptors will work their magic on it. Other raptors also write songs and bring it to the raptor table in the same fashion.

I’ve seen you guys likened to ‘gritty garage sex’ and a ‘vintage street gang’. How would you describe yourselves?

A real neato gang of super bros with good values and a penchant for truffles and fine wine.

How do you feel about the attention the band has received so far?

Besides the odd comment of  “I don’t understand why there’s 7 guitarists” it’s been really positive and I couldn’t be happier with it. We’ve had some solid support from Triple J for our track ‘In The Springtime’ and there seems to be a really rad buzz for the tour.

What is your favourite thing about playing in Brisbane?

It’s an awesome city, easy to source enough amps, we get to play with our friend’s bands and also at the end of the night we can get a limo home to the raptor mansion that comes complete with 12 beds, all of which are race car themed

What can the uninitiated expect from a live show?

It is pretty chaotic. I’ve always been a firm believer in that if you wanted to hear the song exactly how it was recorded, then you should have stayed home and listened to the record. It’s louder than the recordings and more aggressive but it’s a visual spectacle and even if I wasn’t in the band I’d still wanna go and see it.

What does the future hold for Velociraptor?

Godzilla and Monster X have been threatening to destroy Brisbane. We are training every day so that we may have the strength to defeat these gigantic angry monsters. Also, although it has been delayed many times, we do have a film clip on the way. An album will be most triumphant once we can get the necessary 900 dollaridoos.

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To celebrate a thousand issues and 20 years since its inception, local street press Rave Magazine put together a bit of a Brisbane all-star gig at the Zoo last night. Indie rockers Velociraptor opened the night to a fairly sparse crowd, sporting 11 of their 12 members tonight (well, 10 members for the first couple of songs as main frontman Jeremy Neale explained, “Lauren’s parking her car but we’ll have a keyboard player at any moment.”). There were a few moments where you had to wonder maybe six guitars in are too many guitars in one band, with some of the heavier moments sounding a little messy. Despite this, the group put on an exciting show, high in energy and enthusiasm.

Keeping in theme of bands with a ridiculous amount of members, folk-pop group Inland Sea were up next, opening their set with ‘Traitor’. Tonight they were down a few members, namely their string section which unfortunately impacted on their overall sound quite a bit. The strings add a much needed middle ground between ‘soft’ and ‘soaring’. It seemed like the group tried to make up for the lack of strings by simply being louder, instead coming across as overdone rather than enthusiastic. ‘All Fall Down’ was enjoyable, as it is simply a beautiful song (as is that whole EP actually), but for the most part the set failed to impress.

Highly anticipated, Dave McCormack of Custard fame took to the stage next. Custard, or any of McCormack’s other projects, have never really featured too heavily in any of my music adventures so I didn’t really know what to expect from the set. A few glitches with the synth/keyboard (which Seja Vogel from Sekiden/Regurgitator was helping out on) early in the set stalled things a little bit, but was a fairly seamless performance overall. McCormack proved that he’s still a mighty fine performer and enigmatic frontman.

Easily the most highly anticipated act of the night (apart from the ‘mystery’ headline act) was the Brisband Experience. Consisting of members from Hungary Kids of Hungary, Drawn from Bees, The Boat People, Rhubarb, the Blood Poets, Transport and as also Katie Noonan, the group performed some classic songs fromBrisbanebands. ‘Breath in Now’ by george was as beautiful as ever, with Katie Noonan showing that she still has an amazing voice. Rhubarb’s ‘Exerciser’ and the Go-Betweens ‘Streets of Your Town’ were both highlights that prompted some nice sing-a-longs. However the best moment of the set was easily the cover of Savage Garden’s ‘To the Moon and Back’, where Dan James of Drawn from Bees helped to turn a fairly corny song into something pretty awesome.

There were a lot of names thrown around as to who the mystery headline act could have been. Powderfinger, Robert Forster, Butterfingers, sixfthick and the Grates were a few rumours floating around. Most punters consistently guessed the act to be Regurgitator though, and there was a roar of applause as the trio walked onto the stage. Performing a classic hits style set, the ‘Gurge certainly made a spectacular comeback toBrisbane’s live music scene. Opening with ‘I Sucked a Lot of Cock to Get Where I am’ and then continuing on through favourites like ‘My Friend Robot’, ‘I Wanna be a Nudist’ and ‘The Drop’ there wasn’t a dull moment to the set. ‘Black Bugs’ transformed into a brief rendition of ‘Sweet Child O Mine’ and Seja Vogel came back to help out on synths for a few tracks, making ‘Polyester Girl’ a particular highlight. They closed their far too short set with ‘! (The Song Formerly Known As)’ and ‘Kung Foo Sing’, leaving most patrons on a trip down memory lane.

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So on Saturday I had the opportunity to go to Ric’s Big Backyard Festival, reviewing for Press Record Online (you can read the full proper review here). I admit I approached the festival with a lot of cynicism – from the outside I couldn’t possibly see how a festival would work at Ric’s. I couldn’t see how any of the sets could run on time, or how they could fit enough people in to justify a ‘festival’. I wouldn’t go as far as to say that the festival was a success. I’m fairly certain it wasn’t sold out, and of course there is room for improvement. But I was quite surprised at how well the day actually went ahead.

No, it wasn’t the best venue for a festival. As expected downstairs was a tight squeeze (as it always is). Upstairs had a bit more room to breathe, but was painfully loud (note to self: invest in ear plugs). The outside area was a pleasant surprise though, taking up literally the “backyard” area behind Ric’s and RG’s. The area was never really “packed out”, especially during first few bands of the day, but was spacious and had a nice little food and bar area set up.

No, the line up wasn’t the best either (especially for the $75 that was asked for a ticket). It certainly wasn’t value for money for most people, but that being said none fo the acts on the bill were bad either. I was stoked to finally get around to seeing Velociraptor and Violent Soho – two bands I’ve been meaning to see for quite some time. Die! Die! Die! were probably the highlight of my day and of course You Am I were classic.

I really would like to see them try this festival again next year. Financially, I don’t know how much of a success it was, however for a smaller, low key festival it definitely has potential to continue.

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